The Institute for Early Music and Historical Performance Practice takes a passionate and historically informed approach to music from the Renaissance to the early Romantic period. The study program combines active chamber music and baroque orchestra life with a broad range of theory courses on historical performance practice. Students receive this practical and theoretical training from experienced and internationally active performers and researchers.
Lehrende

Balyan, Mikayel
Hammerklavier

Beladzed, Liudmila
Hackbrett

Beladzed, Liudmila
Hackbrett

Black, Emma
Barockoboe

Dragosits, Anne Marie
Cembalo

Dragosits, Anne Marie
Cembalo

Feuersinger, Miriam Franziska
Historischer Gesang

Gaisböck, Wolfgang
Historische Trompete

Gatti, Marcello
Traversflöte

Giesen, Matthias
Musiktheorie, Generalbass, Stilkunde/Aufführungspraxis

Gnigler, Christine
Historische Blockflöten

Köster, Maik
Musikgeschichte und Analyse

Landlinger, Franz
Historische Trompete

Laubhold, Lars-Edvard
Musikgeschichte, Quellenkunde und Instrumentenkunde

Máté, Balázs
Barockcello

Obmann, Markus
Wienerhorn

Oman, Martina
Korrepetition

Oman, Michael
Blockflöte

Urbanetz, Christoph Ludwig
Viola da Gamba

Wiesbauer, Elisabeth
Institutsdirektorin / Barockvioline / Barockviola / Euridice Barockorchester

Zell, Raimund
Stellvertretender Institutsdirektor / Horn